A full life, I suppose.

A full life, I suppose is a filmic portrait of the time shared between the filmmaker and his mother, Androulla, combining new 16mm material shot during his recurring visits to Cyprus with Super 8mm footage shot by his father in the 1970s to chronicle the evolution of bodies and the desires that mark a life. Attempting to balance between observation and construction, the film captures dailiness and domesticity while transfiguring Androulla’s body and inhabited space through close-ups, double exposures and time-lapses. As segments of conversations between filmmaker and mother about her life wander mostly sync-free over the images, encounters with light and darkness in the nooks and furnishings of her otherwise ordinary dwelling arouse a sense of unreality.